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Manuel Ruiz Martínez Weaver of fine Carpets For five generations the Ruiz family has gathered wool, prepared and dyed it, warped their large wooden looms, and woven the family folkart designs into beautiful rugs. The history of weaving in Teotitlán del Valle goes back before the arrival of Hernan Cortes in 1519 and has continued in an unbroken line up to the present. Prior to the Spanish Conquest, the weavers of this area wove cotton cloth to pay tribute to the Aztec rulers of the area. After the Aztecs surrendered to the Spaniards and their Tlaxcala Indian allies in 1521, new elements were integrated into the lives of the weavers of Teotitlán. The Spaniards introduced the fixed-frame pedal loom to replace the simpler backstrap loom (telar de cintura), and they imported the churro sheep which produce the thick wool still in use today. The Spaniards then began to exact their tribute in the form of wool blankets and serapes, rather than cotton weavings. The wool is carded by hand, spun into yarn, dyed, and woven into beautiful rugs. Due to the natural differencies in the coloring of the various sheep used, undyed wool is also used for a variety of shades and colors. There are various levels of quality in woven rugs. A good piece will be tightly woven, perhaps 20 threads to the inch; the poorer ones have as few as 10. The denser rugs last longer, keep their shape better whether on the floor or the wall and always look better. If a rug has a cotton warp it will be stronger and have more body, but the all-wool rugs are softer and more valued. Good rugs should have straight edges and lie flat. The dye shouldn’t run when wet. The Ruiz family has been represented the best of Mexican rug weaving at Feria Maestros del Arte, Ajijic, Jalisco for the last 3 years. Look for them again in 2006. The photo array below illustrates the time-consuming process in completing a handwoven carpet. If you are interested in purchasing the work of a true Mexican artisan, Sr. Ruiz, all Marianne Carlson at 011522 376 765 7485 or email mariannecarlson@gmail.com |
Cochineal
nesting on cactus |
Racks
used to store the cochineal |
Artificial
nest built
on the cactus |
The
red produced from the cochineal |
Dried
cochineal ready to crush |
Crushing
the cochineal
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Cooking
dye over a wood fire
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Cochineal
red |
Lime squeezed
onto
the cochineal changes the color to orange |
Dyed
yarn |
Indigo
dye taken from the anil plant |
Pomegranate
seeds are used fora red shade of dye |
Manuel
Ruíz Martínez weaving the design lluvia en las montañas
(rain in the mountains) |
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Loaded
shuttles |
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(Our thanks to Norm Tihor & Teresa Kendrick for the use of their photographs)